First Lady Mamie Eisenhower popularized the pink bathroom trend.

Author Michael Nordine
October 20, 2025

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At least 57 women have held the title of first lady of the United States, but not many have had colors named after them. One was Eleanor Roosevelt, whose inaugural gown was of a hyacinth hue that came to be known as Eleanor Blue, and another was Mamie Eisenhower, who was so tickled by a certain color that her favorite shade was nicknamed Mamie Pink. It wasn’t just her dresses that were pink, however, as she adorned so much of the White House residence in the color that reporters called it “the Pink Palace.” That included the bathroom, beginning a trend that there’s still evidence of in midcentury homes today.

Bathrooms had been styled a sanitary white for decades, and the move toward a brighter, happier color has been identified as a visual marker of the postwar optimism that defined the 1950s. It wasn’t just a few Mamie-heads who got in on the action: It’s been estimated that as many as one in four American homes built between 1946 and 1966 had some form of pink bathroom. The trend fell out of favor as the Cold War and space race resulted in a shift toward a colder, more futuristic aesthetic, but many midcentury houses still sport bathrooms full of Mamie Pink.

Leonardo da Vinci may have painted two versions of the ‘Mona Lisa.’

Author Timothy Ott
October 20, 2025

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Smiling at viewers from behind a glass enclosure at Paris’ Louvre Museum, the “Mona Lisa” is perhaps the most famous painting in the world. But is it possible that this one-of-a-kind Renaissance masterpiece from Leonardo da Vinci is actually two of a kind? That’s the stance of the Mona Lisa Foundation, which holds that another version of the 16th-century painting, often known as the “Isleworth Mona Lisa,” portrays a younger depiction of the sitter from approximately a decade earlier.

Deriving its name from an owner of the painting based in Isleworth, England, the “Isleworth Mona Lisa” largely remained out of the public eye until being unveiled in Geneva, Italy, amid a 2012 publicity push from the Mona Lisa Foundation. Beyond the resemblance between the older and younger subject, the foundation points to the results of examinations that indicate both artworks were from the hand of the same artist. Historical evidence also suggests the existence of more than one “Mona Lisa,” as the painting was recorded among the possessions of Leonardo’s servant in 1525 despite having been sold to French King Francis I seven years earlier.

While the double-version theory has its supporters in the art world, others are hesitant to make a definitive connection. For one thing, the “Isleworth Mona Lisa” was rendered on canvas, while Leonardo mainly painted on wood. There are also numerous copies of the “Mona Lisa” to be found, including one that was apparently painted alongside the original by one or more of Leonardo’s apprentices. And then there’s the matter of the objectivity of the Mona Lisa Foundation, which was formed by the international consortium that owns the “Isleworth Mona Lisa” to prove the painting’s authenticity. With the artist silent on the topic of this iconic artwork through his surviving journals, it’s likely that the question of whether he did indeed produce two versions will remain as much of a mystery as the subject’s enigmatic smile.

When rugs were too expensive, colonial Americans made sand art on their floors.

Author Sarah Anne Lloyd
October 20, 2025

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If you were a well-to-do family in colonial-era America, you may have draped your floor in richly painted oilcloth, a tightly woven fabric with a waterproof coating, to reduce draftiness and make walking around more comfortable. If you were very affluent and had a taste for the finer things, you might have imported carpets across the Atlantic. Most people, however, settled for simpler floor coverings, such as straw matting or sand — if they opted for any at all. 

Sand, ideally fine white sand, came with a bonus feature: You could turn it into decor if you were feeling creative. Some households created fun designs in the sand, including scrolls, feathers, herringbones, and wreaths, as a temporary decoration. And while tracking sand inside a house is usually frowned upon today, sand was actually an extremely practical floor covering in the 18th century. Before paved roads and regular bathing, a lot of mud and grime would build up on floors very quickly. Much like sawdust on a tavern floor, the sand would absorb dirt, oil, and moisture, allowing the mess to be swept away more easily — and it was a more pleasant walking surface than the hard, cold floor. Sanded floors weren’t exclusive to poor families, either. Some households scattered their sand daily with a special sieve, and writer John F. Watson observed chambermaids with “a genius for drawing” making sand designs with a broom. Still, sanded floors eventually waned in popularity during the 19th century, in favor of woven rugs and painted hardwood floors.

‘Moby-Dick’ was inspired by a real whale named Mocha Dick.

Author Michael Nordine
May 21, 2024

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“Call me Ishmael” is the legendary first line of Moby-Dick, but the protagonist’s name is hardly the most famous in Herman Melville’s 1851 novel. Indeed, he’s probably a distant third to both Captain Ahab and the eponymous whale himself, who was based on a real albino sperm whale named Mocha Dick. Named for the Chilean island near which his decades-long reign of terror took place, Mocha is said to have destroyed more than 20 whaling ships in addition to escaping 80 or so before finally being felled in 1838. His story was told by explorer and newspaper editor J.N. Reynolds, whose article “Mocha Dick: Or the White Whale of the Pacific” was published by The Knickerbocker the following year.

Described by Reynolds as “an old bull whale, of prodigious size and strength,” whose albinism made him “white as wool,” Mocha was made even more fearsome by the fact that his head was covered in barnacles. He was actually quite docile until he was attacked, and measured 70 feet long at the time of his unjust and untimely passing. As for why Melville changed the name from Mocha to Moby when he wrote his novel, no one knows. The author never revealed his reasoning, and no one has been able to figure it out.

Refrigerators used to be toxic.

Author Sarah Anne Lloyd
October 17, 2025

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Iceless refrigerators have come a long way since the 1920s, when they first became affordable for home kitchens. Since then, there have been many technological advances in refrigeration — including making sure your kitchen fridge doesn’t kill you in your sleep.

The basic cooling mechanism of GE’s 1927 Monitor Top model, widely considered the first affordable home refrigerator, was the same as that of most refrigerators today: Liquid gas refrigerant absorbs heat from the interior, turning it into a gas. The gas then travels through a compressor, which pressurizes the gas so it can turn into a liquid and run through the system again. 

Unfortunately for consumers, the Monitor Top fridge used either sulfur dioxide or methyl formate for this process — both of which are toxic. The refrigerants were theoretically contained safely within the system, but if the compressor malfunctioned or the pipes eroded, it could cause a leak that released toxic gases into a home. Both sulfur dioxide and methyl formate have distinct odors, but that doesn’t help you much if you’re fast asleep. 

Even before the Monitor Top, refrigerators in industrial settings and wealthy households frequently turned deadly; ammonia, which is both toxic and flammable, was a very popular refrigerant, too. Manufacturers eventually addressed the problem with the development of chlorofluorocarbons, better known as CFCs or Freons, in the 1930s. CFCs didn’t pose the same immediate risks as previous refrigerants, and they were the standard coolant in home refrigerators until scientists realized they depleted the Earth’s ozone layer and replaced them with more environmentally friendly chemicals.

William Shakespeare invented the name Jessica.

Author Michael Nordine
October 16, 2025

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William Shakespeare wrote dozens of plays — at least 36, by most counts — and coined nearly as many phrases that are still in use. We wouldn’t call things we don’t understand “Greek to me” were it not for Julius Caesar, wouldn’t refer to jealousy as a “green-eyed monster” without Othello, and wouldn’t find ourselves in a “brave new world” without The Tempest, among other examples. Nor would we have the name Jessica, which the Bard invented around 1597 while writing The Merchant of Venice. 

Thought by some to have been derived from Iscah, the name of Abraham’s niece in the Bible, the name Jessica first appeared as the daughter of Shakespeare’s villainous moneylender Shylock. She’s no fan of him, however, and she absconds with a chest of her father’s gold while eloping with Lorenzo against Shylock’s wishes. This betrayal motivates Shylock’s vengeful insistence on exacting a pound of flesh from a Venetian merchant in lieu of the money he owes him. 

Jessica was among the most popular names for baby girls throughout the 1970s and ’80s in the U.S., though its popularity in America has waned in the decades since. In England and Wales, however, Jessica was the most popular name for baby girls as recently as 2005.

Chinese checkers was invented in Germany.

Author Sarah Anne Lloyd
May 21, 2024

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Chinese checkers is a classic board game, featuring several marbles that move along a series of holes grouped into a six-pointed star shape. As in traditional checkers, the marbles can move to empty spaces or jump over adjacent pieces, with the goal of getting all the pieces to one side of the board. Contrary to its name, however, Chinese checkers has nothing to do with China — it’s a variation of a game called Halma (meaning “jump” in Greek). Halma features a square board, and a star-shaped version was invented in Germany around 1880. Originally called Stern-Halma, the star-shaped game was published by the German game and puzzle company Ravensburger in 1892. 

The game arrived in America in the late 1920s under the name Hop Ching checkers, and, later, Chinese star checkers. It was advertised as “a game from the Orient for all ages,” but this backstory was invented entirely for marketing, to give the product an air of mysticism. While six-pointed stars such as the one on the Chinese checkers game board have a long history in many cultures, including some Asian spiritual traditions, the board’s star shape actually originated in Germany, decades before the game’s fictional association with China. Nevertheless, Chinese checkers is the name that stuck in the American lexicon. 

Birthdays weren’t always celebrated because few people even knew their birth date.

Author Nicole Villeneuve
October 16, 2025

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Birthdays are often a big deal in the modern world, marking milestones such as being old enough to drive or vote, or acknowledging the start of a new decade of life. But for most of human history, a birthday was just another day, and many people didn’t even know when theirs was.

Ancient societies sometimes recorded births within noble or wealthy families for lineage or inheritance purposes, but systematic recordkeeping was rare.  It wasn’t until the 1530s in England that churches were mandated under King Henry VIII to document baptisms. Similar practices appeared in colonial America, though coverage varied widely by region and denomination. In Massachusetts, for example, Puritans kept birth and baptismal records as early as the 1600s, while in many Southern states, records remained patchy into the 20th century.

For centuries, tracking your age was inconsistent, as was celebrating it. Ancient feasts marked special occasions for elite members of society (sometimes even with cake), but it wasn’t until the mid-19th century that birthdays were commonly commemorated with parties, especially for children. With the rise of industrialization, strict work schedules, pay periods, and age-based job requirements meant tracking calendars closely, making people more aware of their age and birthday. In the early 1900s, state-level birth registration became more widespread in America: By 1933, all U.S. states were participating in official birth recordkeeping, and by the mid-1940s, most Americans had birth certificates.

The oldest recording of a president is the voice of Benjamin Harrison.

Author Bennett Kleinman
October 16, 2025

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Some presidential voices are instantly recognizable, such as John F. Kennedy’s distinctive New England accent or Ronald Reagan’s folksy tone. But we’ll never definitively know what presidents such as George Washington or Abraham Lincoln sounded like, since there are no audio recordings of their voices. The oldest existing recording of a U.S. president is the voice of Benjamin Harrison, the 23rd commander in chief. Harrison served from 1889 to 1893, and the audio recording dates to around his first year in office. 

Harrison’s voice was captured on a wax cylinder phonograph, a recording device developed by Thomas Edison in the late 1880s. It captures him recounting the first Pan-American Congress, a diplomatic event attended by leaders from several countries in the Americas. The recording features Harrison saying, “As president of the United States, I was present at the first Pan-American Congress in Washington, D.C. I believe that with God’s help, our two countries shall continue to live side-by-side in peace and prosperity. Benjamin Harrison.” Since Harrison, the voice of every U.S. president has been recorded on tape, with the exception of his direct successor, Grover Cleveland.

It’s worth noting that while Harrison’s voice is the oldest surviving audio recording of a U.S. president, it likely wasn’t the first. On April 18, 1878, Thomas Edison visited President Rutherford B. Hayes at the White House and brought along his phonograph to demonstrate how the device worked. It’s believed that Edison recorded Hayes’ voice in the process, though any evidence of this recording has since been lost.

Medieval people sometimes slept in two shifts.

Author Michael Nordine
October 16, 2025

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Most adults need about seven hours of sleep per night, but there’s nothing in the rule book about getting all seven hours at once. For the thousand or so years that encompassed the Middle Ages, in fact, people in Western Europe sometimes slept in two shifts: once for a few hours usually beginning between 9 p.m. and 11 p.m. and again from roughly 1 a.m. until dawn. The hours in between were a surprisingly productive time known as “the watch.” People would complete tasks and chores, relieve themselves (sometimes directly into the fire keeping them warm), check on any farm animals they were responsible for, pray, socialize, and be intimate.

Sleep was also communal at the time, with entire families often sharing a single bed; sometimes visitors or even strangers passing through the area bunked together. People often luxuriated in bed and conversed with one another during the waking hours at night, apparently in a more relaxed, informal manner than they would during the day — being half-asleep on the same pillow does lend itself to a certain closeness, after all. They would then fall back asleep until morning. 

Biphasic sleep fell out of practice in Europe with the Industrial Revolution, as the rise in artificial lighting altered people’s circadian rhythms by allowing them to stay up later. Because folks still had to wake up at the same early hour, however, they began getting all their rest in one shift rather than two.